Remember When Eli Roth Made an Amblin Family Movie?
In the early 2000s, Eli Roth burst onto the horror scene with his debut film, “Cabin Fever”. His gruesome and gory special effects, combined with his witty humor and quick editing, quickly made him a fan favorite among horror enthusiasts. But what may surprise many is that before Roth became known for his slasher films, he tried his hand at something much more unexpected: an Amblin family movie.
In 2000, Roth was hired by Steven Spielberg’s production company, Amblin Entertainment, to write and direct a family-friendly film. Titled “Cirque du Freak: The Vampire’s Assistant”, the movie was based on a popular young adult book series by Darren Shan. The story follows a teenage boy named Darren who discovers a traveling freak show and befriends a vampire named Larten Crepsley. The film was intended to be a PG-13 adaptation of the book, aiming to capture the magic and wonder of the circus setting.
Roth has spoken highly of his experience working with Amblin and Spielberg, saying, “It was an incredible experience to work with the legend himself. He was always very supportive and allowed me to bring my own voice to the project.” However, despite Roth’s best efforts, the film received mixed reviews from critics and audiences. Many praised the film’s visuals and the performances of the cast, but felt that the tone was inconsistent and that the story lacked the punch it needed to truly come alive.
Despite the film’s lukewarm reception, “Cirque du Freak: The Vampire’s Assistant” remains a unique entry in Roth’s filmography. It shows that even the most gore-loving director can try his hand at something completely different, and that sometimes it takes a few attempts to find your true calling.
Today, Roth is perhaps best known for his horror movies, including “Hostel” and “The Green Inferno”. His signature blend of gore and dark humor has made him a staple of the genre, and he continues to be a beloved figure among horror fans. But his foray into family entertainment is a reminder that even the most unlikely of projects can lead to growth and creativity.
In conclusion, while “Cirque du Freak: The Vampire’s Assistant” may not be the most well-remembered film in Roth’s oeuvre, it serves as a fascinating glimpse into the director’s range and versatility. Who knows what other unexpected projects lie hidden in his filmography? One thing is certain: Eli Roth’s unique blend of humor, style, and gore will continue to captivate audiences for years to come.